Jean Goldstein Department of Art and Art History Cuboulder
Shortcut Link to Design Calendar week Programming
Papermaking Open Firm
Th, May 12, 2022 | 2:30 - 4:thirty pm | Honnen Loonshit
Come up check out the new Art Department Hand Papermaking Facility! Make a slice of handmade paper from plants or recycled textiles. Talk with the AS210 Field Drawing as Naturalist Activist class most making your art materials!
Visiting Creative person Talk
Jacques Cazaubon Seronde
Monday, May 9, 2022 | 5:00 pm | Cornerstone Screening Room
Jacques Cazaubon Seronde is an artist living and working in the landscapes of Northern and Fundamental Arizona. Through his work, both as an artist and a farmer, he explores the possibilities of homo expression among the facets of the older, larger globe.
Seeking to understand and witness the current modify in landscapes he reflects on man feel both past and nowadays asking, how practise creative actions transform encounters with spaces into place-based empathy? And how practice habituated actions upon and with the state create civilisation within a landscape?
Thesis Exhibition
Fine art History, Fine art Studio, Integrative Design and Compages & Museum Studies
May 2-22, 2022 | Weekdays 1-five pm | Open Firm: May 17, 4:00-6:00 pm
Coburn Gallery, Worner; Studio C, Cornerstone; Fine Arts Eye; Ed Robson Gallery; Weber Studio, 802 Weber
ada evans / alexandra velle-loach / andrew striegl / annika furman /
calaya hudnut / carter norfleet / chloe duffy / david flynn /
egg klickstein / jane hatfield / kate planting / katya ogden-lord /
kendal mcmaster / laniah moon / liza scher / lucas cowen /
nicolas santucci / noah weber / patricia pi / shaian gutierrez /
sutton lynch / tessa derose/ turis jessen/ william cole /
andrew epprecht / leo fowler / olivia fortner
End of Cake Art Section Open House
Tuesday, Apr 19, 2022 | iv:00-6:00 pm
Where: Packard Hallway, 131, and 132
Featuring classwork from Field Drawing as Naturalist Activism and Topics in Photography.
Terra Chromatica, Exhibition by Visiting Professor Kate Aitchison '10
Block 7 in Coburn Gallery, Worner Center (events beneath volition be held in the gallery)
Papermaking Demo: Midweek, Apr 13, 2022 | 3:00 - iii:30 pm
Artist Talk: Wednesday, Apr 13, 2022 | 3:30 - 4:30 pm
Kate Aitchison is an creative person whose work is centered around interventions in the natural landscape, especially in regard to the manipulation of water and ecologies. Currently, she is working with paper she makes herself from invasive establish species, and recycled materials collected from site-specific areas. She utilizes the medium of printmaking to piece of work through iterations of landscapes changed by human deportment. Aitchison graduated from Colorado College in 2010 with a BA in Studio Fine art and earned her MFA in Printmaking from the Rhode Island School of Design in 2016. She is currently a visiting professor of art at Colorado College for the spring semester of 2022.
Papermaking Open Firm
Th, Apr 7, 2022 | ii:00 - 5:00 pm | Honnen Arena
Come check out the new Art Department Hand Papermaking Facility! Brand a piece of handmade paper from plants or recycled textiles. Talk with the AS210 Field Cartoon as Naturalist Activist class about making your own art materials!
Visiting Artist Talk
Andrea Wallace
Th, March 31, 2022 | 5:00 pm | Cornerstone Screening Room
Andrea Jenkins Wallace received her Thou.F.A. from the Academy of Colorado Boulder and is currently the Manager of Photography and New Media, and VP of Artistic Programs at Anderson Ranch Arts Center. Prior to that, she worked for over ten years in academia, holding tenure track appointments at Lake Forest College and Willamette Academy. Her film, Rochell and Brian, a documentary near teenage pregnancy, premiered at the New York International Independent Film Festival. She exhibits nationally and internationally with numerous shows throughout the Americas, Europe, China, and the Middle East.
Finish of Block Fine art Section Open House
Tuesday, March fifteen, 2022 | 4:00-6:00 pm
Where: 802 Gallery in Robson Arena; The Press in Bemis Hall*; Honnen; Coburn Gallery in Worner; Packard Hallway, 131, and 132
Featuring classwork from Studio Foundations: Drawing; Book and Book Structure; Mixed Media Lab: Drawing, Printmaking, Collage; 3-D Design; Theories, Methods, and Practices
*Masks required in The Press
Telephone call for Applications: The Edith Kirsch Prize
Awarding Deadline Friday, April i, 2022
$2,000 for international travel to study the History of Art. All continuing Colorado Higher students are eligible to employ. Application Deadline Friday, April 1, 2022.
The Kirsch Prize is awarded to a Colorado College educatee to fund an independent project involving summer travel to written report works of art or architecture. All continuing Colorado College students are eligible to utilize. The Kirsch Prize may be combined with Venture Grants or other grants.
To enter, submit a proposal with a brief bibliography and relevant images to Professor Ruth Kolarik at rkolarik@coloradocollege.edu by Friday, April i, 2022. Explain your interest in the subject and how you will utilize the prize. Projects should represent intellectual engagement with art history. The prize will exist awarded at Honors Convocation on May 10, 2022.
The Kirsch Prize was established in memory of Edith Kirsch, Professor of Art History at Colorado College from 1982 to 2004. Questions contact Ruth Kolarik: rkolarik@coloradocollege.edu
Visiting Creative person Talk
Agnes Walden '17
Thursday, March 3, 2022 | iii:30 pm | Cornerstone Screening Room
L. Agnes Walden is a painter concerned with portraiture and trans subjects. She teaches at Rhode Island Schoolhouse of Blueprint as Assistant Professor in the Sectionalization of Experimental and Foundation Studies. Walden has mounted solo exhibitions with An Sylvia Exhibitions and AMFM Gallery in Chicago. She has been the recipient of an Elizabeth Greenshields Foundation Grant, and she was recently named ane of thirty "Rising Stars" past Saatchi Fine art in 2021. Walden holds a BA from Colorado College and an MFA in Painting from Rhode Isle School of Pattern. She lives and paints in New York City.
Finish of Cake Fine art Section Open House
Tuesday, Feb fifteen, 2022 | 4:00-six:00 pm
Where: Packard Hallway, 131, and 132; Mod Pod at 801 Due north Nevada
Featuring classwork from Avant-garde Painting, Studio Foundations: Cartoon, and Topics: Space/Place/Moment
A Exercise in Community
Visiting Professor Bryan Ortiz
Wednesday, February ix, 2022 | 5:00 pm | Cornerstone Screening Room
bryan ortiz is a multidisciplinary creative person currently living in Columbus, Ohio. Through work in paint, sound and installation, and event organizing, bryan engages with topics of collective strength and customs edifice, migration and displacement, transcultural identities, and decolonial aesthetics.
He is a member of Colectivo Rasquache, a transcontinental/transborder collective of artists who are organizing workshops and exhibitions in Mexico and beyond the U.Southward.
Nearly recently, bryan has exhibited works in Columbus, Cincinnati, Toledo, Ohio, Charlottesville, Virginia, and digitally in Puebla, United mexican states.
He holds an MFA from The Ohio State University and a BA from California State University, Los Angeles.
Jean Gumpper featured in Exhibition
The International Block Print Renaissance And then and Now: A Centennial Commemoration of Block Prints in Wichita, Kansas, 1922-2022
February 26 - August 7, 2022 | Wichita Art Museum
Creative person Jean Gumpper will be included in the upcoming show The International Block Impress Renaissance And then and Now. Additionally, one of her prints has been chosen for the comprehend of the exhibition catalog! Yous can read more virtually this exhibition on the Wichita Museum of Art website.
Stop of Cake Art Department Open up House
Tuesday, December 21, 2021 | 4:00-6:00 pm
Where: Packard Hallway, 131, and 132; Coburn Gallery in Worner; Mod Pod at 801 Due north Nevada
Featuring classwork from AS205: Painting, AS210: Mixed Media Lab, AS212: Design Workshop, AS220 Photography
Fine art History and Museum Studies Senior Thesis Presentations
Friday, December 17, 2021 | 2:00-3:30 pm | WES Room in Worner
Ada Evans: Toxic Sublime Photography: David T. Hanson and David Maisel
Katya Ogden-Lord: Lalla Essaydi: Redefining Female Identity
Lucas Cowen: Kvelling in the 21st Century: Decolonizing Arts Activism
E-mail mrubenstein@coloradocollege.edu for the Zoom link.
Sticker Workshop in the Visual Resources Middle
Thursday and Friday, December 16 & 17, 2021 | two:00-4:00 pm | Packard 124
Participants will have access to the computer programs ( i.east. Illustrator and Photoshop) on the computers in the VRC as well as high-quality sticker paper for free. Sofie Miller volition exist there to guide those who accept questions nearly the programs or mechanics of printing the stickers. Come for every bit little or much fourth dimension as you want!
Artist Talk
Visiting Professor Stephen Chalmers
Tuesday, December 7, 2021 | 5:00 pm | Cornerstone Screening Room
Visiting Professor Stephen Chalmers will present two of his projects: Pearl Bryan, which documents a 19th century murder, called "the crime of the century" at the time but now largely forgotten, and Unmarked, which documents the locations where victims of serial murder were institute. During this presentation, Chalmers will focus on the procedure behind his photography, in particular, his use of Freedom of Information Act requests, court transcripts, newspaper archives, and other sources to drive his artistic procedure.
End of Block Fine art Department Open House
Tuesday, November sixteen, 2021 | 4:00-6:00 pm
Where: Packard 131 and Hallway, 802 Gallery in Robson Arena, Coburn Gallery in Worner, Modernistic Pod at 801 N Nevada
Featuring classwork from AS301: Advanced Printmaking, AS214: Sculpture, AS110: Topics in Virtual Reality
Connections, Belonging, and Indigenous Identity in Museum Spaces
Visiting Professor Joe Baker
Tuesday, November 9, 2021 | 6:00 pm | Cornerstone Screening Room
Fire and Erosion: Making Things Out of Dirt
Jeremiah Houck, Assistant Director of the Bemis School of Art
Fri, November 4, 2021 | 3:00-half dozen:00 pm | Honnen Arts
This drop-in, not-for-credit mini-workshop covers some of the dirt structure techniques required for kiln-fired or chemical element-eroded pieces. Whether you want them to last forever, or to disappear later on a strong rainstorm, this 3-hour session volition go it all started. Come for equally much or as little fourth dimension as y'all'd like. All skill levels are welcome, and all supplies are provided. Sponsored by the Fine art Section.
Learn more about Jeremiah
Any questions should exist directed towards sn_miller@coloradocollege.edu
Proving Grounds: Oil, Power, and Architectural Technologies in the Arabian Peninsula, 1960-1990
Visiting Professor Aaron Tobey
Tuesday, October 12, 2021 | 4:00 pm | Cornerstone Screening Room
Trouble in Threes: Post-Public, Mail service-Truth, Post-Anthropocene
Visiting Professor Conrad Cheung
Wednesday, October 6, 2021 | 5:00 pm | Cornerstone Screening Room
Geologic Empathy and Breakthrough Curiosity
Visiting Professor Nina Elder
Midweek, September 29, 2021 | 5:00 pm | Cornerstone Screening Room
Printmaking as a Way of Thinking: Block A, 2021
"Anyone tin can make a print. And there are so many means to make a print, that there's no reason not to do it." And then says Kate Aitchison '10, the visiting art studio kinesthesia member who taught Summer Session's Block A Printmaking course. Handmade prints are personal expressions of creativity, even democracy. They're also affordable to create, portable, and easy to store. Student video intern Bergen Hoff '22 took the course and fabricated this video.
Sam Cadigan '21 Wins Honors for Design Thesis
Sam Cadigan '21 , a Colorado College art major with a concentration in integrative design and architecture, has received an honorable mention in the Parsons School of Design Office Models Competitionfor her senior thesis, Mourning Walk.
Read more on the CC News & Events page.
Art History-Museum Studies Senior Thesis Presentations
Fri, Feb xix, 2021 | 3:00 pm | Zoom
Diana Munoz
From Cynicism to Solace:
The Evolution of Gustav Klimt's Pregnant Icon
Minnie Hutchins
The Experimental House at Muuratsalo every bit a Manifestation
of Alvar Aalto's Architectural Philosophies
Emily Miner
Making a Virtual Exhibition:
Reinterpreting the 2017 Whitney Biennial
TedX-KingLincolnBronzeville talk past Jameel Paulin
Columbus, OH | October 23, 2020
https://www.tedxklb.org/2020speakers
Jameel Paulin
Artist. Socialist. Afrofuturist.
My piece of work is primarily about transformations: new worlds, new relations, and new forms of existence. Information technology is about how descendants of the African diaspora have transformed the very grounds of beingness, meaning and relatedness through the framework of afrofuturism. Every bit a visual artist who grew up during the overlapping eras of 'golden age of hip-hop' and the digital historic period, my experience of afrofuturism has primarily been shaped past the evolution of personal digital/information engineering and hip-hop music. I employ the emergent engineering science of virtual reality to create immersive audio-visual worlds influenced by afrofuturist themes and W African symbolism. By embracing the digital media, and creating digitally immersive realities, that are visually akin to the sonic environments of Coltrane, J Dilla, and Flying Lotus, I aim to situate hip-hop aesthetics within a tradition of black liberation aesthetics and to utilize a kind of "hip-hop" method within my ain creative do.
Reflective Tracings
Jean Gumpper | Minneapolis, MN | Oct 17 - November 28, 2020
Fine art as a Career
Wed, July 22, 2020 | 3:00 pm MT
Panelists include Maxwell Bennett '12, Teddy Benson '13, Luka Carter '13, Lela Wulsin '14
Join a panel of CC alumni art majors equally they share how they take connected to explore their interests in a artistic career equally well as their advice for electric current students and contempo alumni.
Students can RSVP in Handshakefor the zoom link.
Alumni can email Andrea Culpfor the zoom information.
Photopolymer Plate Workshop with Heather Oelklaus
Sabbatum, March seven, 2020
Session one: x:00 am-1:00 pm| Session 2: 1:00 pm - 4:00 pm
Colorado College, Packard Hall, Room 39 (lower level Westward end), 5 W. Enshroud la Poudre St., Colorado Springs, CO 80903
In this hands on workshop participants volition explore printmaking and photographic possibilities every bit they learn exposure, development, and printing with photopolymer plates. Photopolymer plates are "etched" by ultraviolet light and adult in water to produce a plate that can be used for intaglio press. Artists will be encouraged to produce a straight print and multiple experimental prints during this three hour long guided workshop. Nosotros are offering two 12 person sessions for this workshop located in Colorado Springs. Please email Heather Oelklaus, Colorado College Printshop Supervisor, at hoelklaus[at]coloradocollege.edu to reserve your spot.
Exploring personal history through photopolymer plate can exist insightful. We will use a photo from your collection (hardcopy or digital file) to make a polymer plate and will encourage you lot to express yourself through various printing techniques.
All materials will be provided by the Colorado College Art Department. Free and Open up to the public.
Imprint: Print Educators of Colorado
Featuring Professors Jean Gumpper and Kate Leonard
Arvada, CO | January 16 - Mar 29, 2020
Tuesday, December 17, 2019 | 6-9 pm | 3D Arts Building
Tear It Down Build It Back Up......Improve
Come up gloat the 3D Arts Facility and help usher the program into the next phase of its life!
Architectural Taxidermy: Haraway'due south Implosion Method & Full-Scale Drawings
Athanasiou Geolas, Ph.D. Candidate, Cornell University
Monday, Nov 11, 2019 | iv:00 pm | Cornerstone Screening Room
Chakaia Booker and Justin Sanz
Creative person talks | Worner WES room | November 4, 2019 at four:00 pm
Artist's talk with Internationally acclaimed artist Chakaia Booker and master printer Justin Sanz of the Robert Blackburn Printmaking Workshop.
Artist Chakaia Booker will speak about her work and career. Chakaia received a B.A. in folklore from Rutgers University and an MFA from the City College of New York. She was selected for the Whitney Biennial in 2000, awarded the Pollock-Krasner Grant in 2002, and received a Guggenheim Fellowship in 2005. Booker's work has been exhibited widely both nationally and internationally.
Brooklyn-based creative person and printer Justin Sanz exhibits locally and internationally. His piece of work is in the collections of the Library of Congress, the New York Public Library, the Spencer Museum, Davis Museum, and various private collections. He currently works every bit an educator, master printer, and workshop manager at the EFA Robert Blackburn Printmaking Workshop in New York City.
Booker has been collaborating on prints at the EFA Robert Blackburn Printmaking Workshop (EFA RBPMW) for the past 10 years. Sanz volition speak almost collaborating on prints with Booker, the history of EFA RBPMW and how the workshop functions today, his collaborations with artists, likewise as his own work.
Fissure
Scott Johnson | Santa Fe, NM | Opens October 11, 2019
Heart for Contemporary Arts, Tank Garage Gallery, 1050 Old Pecos Tr., Santa Atomic number 26, NM
http://ccasantafe.org
Johnson explores the concept of 'fissures' both its technical and theoretical forms-clefts in the landscape, breaks in social/cultural cloth, the splitting of atoms, fragments in retentiveness-in a continuing exploration of how terrestrial space is represented, navigated, and perceived. http://scottjohnsonworks.com/
Shamans Death, a Solo Exhibition by Basil Kincaid '10
pt.2 Gallery, Oakland, CA, June 15-July v, 2019
Opening Reception: June 15, 2019, 12-10 pm. Creative person talk at iv pm.
Read more virtually the exhibition in Hyperallergic: https://hyperallergic.com/507476/wrapped-in-the-spirit-of-transformation/
Learn more about Basil Kincaid and view his work: https://www.basilkincaid.com/
Rethinking the Damaged Photograph: Images Altered past Hurricanes Katrina & Sandy
Hannah Ryan, Visiting Professor, Art Department
Thursday, May two, 2019 | 4:00 pm | Cornerstone Screening Room
In August 2005, Hurricane Katrina devastated the Gulf Declension, and among the thousands of structures in its path was the studio of New Orleans photographers Keith Calhoun and Chandra McCormick. Both built-in and raised in the Lower Ninth Ward, the duo had been documenting the culture of Louisiana for decades, increasingly with an eye toward injustice. Equally the waters receded, Calhoun and McCormick gained reentry to their studio, just to find everything-from equipment to negatives-ruined. As the urban center recovered, they embarked upon an innovative process of making prints from the damaged negatives, the resultant photographs impossibly catching and freezing in time this destructive result. Calhoun and McCormick generated a serial and entitled it "Correct to Return." The process and resultant images accept contradistinct their perception of devastation, and they no longer consider the images damaged.
"If there is wind, they'll wing"
Koichi Yamamoto, Associate Professor, University of Tennessee
Wed, May i, 2019 | three:30 pm | WES Room, Worner Center
Koichi Yamamoto, acquaintance professor of fine art at the University of Tennessee, merges traditional and contemporary techniques to develop unique and innovative approaches to the language of printmaking. Yamamoto's prints explore bug of the sublime, retentivity, and atmosphere and range from small, meticulously engraved copper plates to big monotypes. He will be working with printmaking students to create kites made from intaglio prints. Then, as Yamamoto says, "if there is air current, they'll fly."
Between Nature and Culture: Visualizing a Mythological Hero in Fifteenth-Century Florence
Talk by Victoria Ehrlich, Visiting Professor, Art Department
Thursday, March 28, 2019 | iii:thirty pm | Packard Room 23
Professor Ehrlich will discuss how fifteenth-century Florentine artists visualized the realm of virtue by depicting heroes doing battle with monsters. She believes that these figures exercise non represent the stark dissimilarity between the brutish and the superhumanly virtuous, described by Aristotle, but actually mirrored one some other in significant ways. She volition point out the congruencies between the heroic and the monstrous as represented in the visual culture of Quattrocento Florence. This approach brings into relief contemporary ideas of virtue equally reflected in the cryptic status of monsters and heroes, while foregrounding the unstable boundary that separated nature from civilisation in fifteenth-century thought.
Save the Engagement!
Design Week, March 4-8, 2019
For more information, check out the full programme at http://tiny.cc/design-week
Woodcuts and Weavings at The Bridge Gallery
Jean Gumpper and Jeanne Steiner | February i-23, 2019 | Colorado Springs, CO
Opening Reception f or Woodcuts and Weavings is Friday, Feb ane, 5:00 to 8:00 pm
Artist Talk past Senga Negudi
Wed, Dec 12, iii:00 pm | Worner Campus Eye, WES Room
Senga Nengudi lives and works in Colorado Springs, Colorado. She studied art and dance at California State University, graduating in 1967 before studying Japanese civilisation at Waseda University, Tokyo from 1966-67. Returning to Los Angeles, she completed an MA in sculpture at California Country Academy in 1977.
Interested in the visual arts, dance, body mechanics and matters of the spirit from an early historic period these elements still play themselves out in always changing ways in her art. She has always used a variety of natural (sand, clay, rocks, seed pods) and unconventional (panty hose, found objects, masking tape) materials to mode her works, utilizing these materials equally a jazz musician utilizes notes and sounds to improvise a composition. The thrust of her art is to share common experiences in abstractions that striking the senses and center, often welcoming the viewer to become a participant. In add-on to her installations, sculpture, and performances, Nengudi also creates paintings, and photography and writes verse under the pseudonyms Harriet Chin, Propecia Lee, and Lily B. Moor.
The Queering of Architecture
Rachel Montgomery Paupeck | Tuesday, December 11, four:00 pm | Cornerstone Screening Room
What is the role of the builder and what power systems are reinforced by the very challenge of that name? This lecture will await at what happens when rigid design thinking co-mingles with queer theory and an creative person's practice. I will examine how I oft frame my piece of work through the didactic but empowering lens of basic queer theory principles: agency, proclaiming and the challenge of space, representation, and identity. I will trace this lecture's themes and contextualize them through my architectural and installation based practice.
Artist Talk by Simonette Quamina
Tuesday, Dec 4, four:00 pm | Worner Campus Center, WES Room
Simonette Quamina was born in Ontario, Canada and raised in South America and the Caribbean area. Her diverse upbringing is constantly woven into the narrative of her prints, collages, and large-scale drawings. They accept been exhibited nationally and are part of the Rhode Isle School of Design Special collections library, as well as numerous private collections. She was the recipient of the 2017 Salem Art Works fellowship, the 2017-2018 Provincetown Art Works Center residency and she is a studio recipient of the Elizabeth Foundation of the Art Studio program in New York City.
Patrick Nagatani: Photographic Innovator, Storyteller, Artist
Flick Screening Living in the Story
Th, October 11, five:30 pm | Armstrong Hall, Max Kade Theater
Parishioners, Pilgrims and Monks: Architecture and Community in the Medieval English Church building
Visiting Professor Kate Hundley
Wednesday, Oct 10, 3:thirty pm | Packard Hall, Room 21
Elements at the William Havu Gallery
Featuring Jean Gumpper | June 15 - July 28 2018 | Denver, CO
Final Art Department Open Firm of 2017-eighteen!
Tuesday, May 15, 4-half-dozen pm
Artist Talk: Edward Bateman
Wednesday, April 25, 4:30 pm | Cornerstone Screening Room
Dejeuner and Conversation with Chief Printer Brian Shure
Friday, April thirteen, 12:fifteen-1:fifteen pm | Fine Arts Middle Classroom*
*Lunch Provided with RSVP
Portraits of "A Noble Queen": The Romance of History in 18th-Century Indian Paintings
Berg Distinguished Professor Deborah Hutton | Midweek, Apr 11 at 7 pm | Cornerstone Screening Room
The xvi thursday -century Indo-Islamic queen, Chand Bibi, was valorized both during her life and posthumously for her heroic defense of the Deccan metropolis of Ahmednagar against the invading armies of the Mughal Empire. During the 18 th century, she became a common subject of paintings, which repeatedly draw her hawking on horseback. Indeed, the imagery is so standardized and ubiquitous that fine art historians take paid the paintings scant attention. But is Chand Bibi'southward depiction really so straightforward and bland? If the defense of Ahmednagar is the result for which she is remembered, why are in that location no paintings of her in battle? Why does she emerge as a subject for painting a century later on she lived? In this talk, Hutton analyzes portraits of Chand Bibi as a way of exploring the larger changes to Indian painting during the 18 thursday century and the role of such images in creating what we might classify every bit a "shared historical imaginary" of the early on modern Deccan.
Talks by visiting artists Elizabeth Ferrill and Brian Sure
April 11, 1:15 pm | WES Room, Worner
Elizabeth Ferrill works in pochoir creating close up views of peculiarities of the built environment of the western U.s.. She received her MFA from Rhode Isle School of Design and her BFA from Cornish College of Art in Seattle. Liz has held several instruction and museum positions and she is currently the creative managing director of painting and printmaking and chair of the Disquisitional Dialog Program at Anderson Ranch in Snowmass, Colorado.
Brian Shure is a painter and printmaker working with representations of people in public spaces. He received a BA from Antioch Higher, apprenticed with Ernest DeSoto at Collectors Printing in San Francisco and worked as a professional person lithographer for 15 years. He has published and printed editions nether the Smalltree Press imprint, and was a Master Printer and Coordinator of the China Woodblock Program at Crown Bespeak Printing from 1987 to 1994. He has taught equally a visiting artist at Dark-brown and Cornell Universities, has given workshops in the U.Due south., Japan, and Mexico, and has been didactics in the Printmaking Section at the Rhode Island School of Design since 1996.
Art History Senior Thesis Presentations
March 9, 2018
New Block A summer course: GS247 Intro to Museum Studies
Pattern Week 2018
Plan OF EVENTS
Sponsored by the Art Department Conway Design Fund
Breathing Architecture in the Yucatán Peninsula
Meghan Rubenstein | February 27, 2018 | iii:30 pm | Packard Hall 21
Tribe at the Trick Talbot Museum
Featuring Professor Emma Powell | February 3 - May 21 2018 | Lacock, Wiltshire
Embracing the Unknown
Artist Talk by Martha Russo | Feb 8, 2018 | 4:00 pm | Packard Hall 23
The Outset Spark: Drawing and the Formation of the Modern Creative person
Andrea Bell, Visiting Assistant Professor | Feb 6, 2018 at 3:30 pm | Packard Hall 23
CubaTecture
Aaron Asis Exhibition | Artist Talk on November 8, 2017 at iii:00 pm | 802 N. Nevada
Aaron is a public artist focused on promoting access, awareness and appreciation-in an urban context. His work highlights the significance of nether-appreciated environments and the ways in which those environments influence our everyday experiences-at the intersection of city bureau, customs engagement, and public access.
Visiting Artist Talk with Lari Gibbons
November vi, 2017 | 3:30 pm | Innovation Institute
The Round Churches of Twelfth-Century England: Architectural Anomaly or Cultural Clue?
Catherine E. Hundley, Visiting Assistant Professor | Oct xi, 2017 | iii:30 pm | Packard Hall 125
Announcing a new Block iii class with Visiting Professor Aaron Asis
The photograph every bit creative inspiration is a powerful tool in identifying the ways in which visual interpretation can influence an everyday experience. However, every bit we continue to develop new strategies for visual communication, photographic comprehension and spatial prioritization, our representations of infinite, identify and spatial circumstance are continually redefining themselves.
Digital Photography + Spatial Awareness volition introduce techniques of digital photography and explore the piece of work of conceptual artists and environmental designers to establish a dynamic agreement of the photo every bit an object, a tool, and a relationship within the gimmicky contexts of our congenital environments.
Photography: The process of producing images by the activity of radiant free energy and calorie-free on a surface
Sensation: The perceptual sense of having or showing realization, perception, or knowledge
Jean Gumpper
Swirling Currents at Groveland Gallery, Minneapolis, MN
Jean Gumpper's swirling currents is open September nine through Oct 14 at the Groveland Gallery.
Senior Art Majors Bear witness Work at the Fine Arts Center
Opening: Fri, April 28 th 4:30 - 6:30 p.m. with remarks at 5:15 p.chiliad.
Come celebrate the work of studio art majors Jake Paron '17 and Jenny Welden '17. The opening includes remarks from the artists at five:15 p.m., music, and light hors d'oeuvres .
Jake Paron'due south piece Alterne is a site-specific installation constructed out of a not-native grass species that covers much of the mural surrounding institutions in the Colorado Springs area. Alterne explores how the lawn is used to represent nature. Yet, in an attempt to represent nature, the lawn substitutes the natural limerick native to a specific site.
Jenny Welden's piece Middle of the Mountain is a site-specific installation representing the foundations of cloth art through the use of non-fibrous materials. These materials create a network of interlocking fragments, demonstrating the dual contributions of the natural and the sacred in a fabric image.
Design Week 2017
PROGRAM OF EVENTS
Sponsored by the Art Section Design Fund at Colorado College
Artist talk by CC alumnus Basil Kincaid ('09)
Midweek, March 1, 4:30 pm [Moved to Gaylord Hall in Worner]
The Landing
Artist talk by Jose Ferreira
Monday, February six, three:15 pm, Packard Hall Room 21
Jose Ferreira, the Artistic Director of Sculpture and Chair of Gallery Exhibitions at Anderson Ranch Arts Center, reveals the hidden content inside the mural, capturing the essence of collective histories through images taken on extensive walks. In this current torso of work, he scrutinizes the stories and strategies that miners have used in the American W to survive the harshness of their environment and endure strained social relations. Photographs, drawings, texts and sculptures reveal prove of an economy that once thrived, but which is at present exhausted. Liminal traces scar the landscape in the form of roads, footpaths and mines. These marks betrayal signs of life, a retentiveness pattern, which becomes fictionalized and made visible in a new narrative. Sponsored by the Colorado Higher Fine art Department and the Stillman Fund.
Artist Talk by CC graduate Genevieve Lowe
Mon, January 30, 3:xv pm, Worner WES Room
Genevieve Lowe, a graduate of CC, will discuss an artistic practice inspired by dioramas, natural history museums, and visual reflections of the American landscape. Sponsored by the Colorado College Art Section and the Stillman Fund.
Arts and Crafts Program Alumni Exhibition
January 26-March x, 2017, Coburn Gallery
Lecture and workshops with Finnish jewelry designer Eija Mustonen
Monday, December 12, 3:30 pm, WES Room
Lecture: Translation | Käännös
Three-mean solar day workshops (sign up at the Worner desk)
Workshop 1: December 13 - 15 3:30 - v:30pm
Workshop 2: December 16 - 20 (Sat, Sun off) 3:30 - five:30pm
Abstraction and Spirituality
Discussion and art making session with Professor Ruth Kolarik
Tuesday, December 6, three:00-5:00 pm, Sacred Grounds in Shove Chapel
Inner Spaces: Reflection and Cocky-expression in Asian Fine art
Discussion and art making session with Professor Tamara Bentley
Thursday, November 10, three:00-five:00 pm, Sacred Grounds in Shove Chapel
Modernistic Pueblo Painting and the Fine art of Resistance
Sascha Scott ('97), Syracuse University
Tuesday, Nov 1, Cornerstone Screen Room, vi:00 pm
Sascha Scott ('97) is a specialist in nineteenth- and twentieth-century American art. She is likewise a member of the Native American Studies faculty and Syracuse University. In addition to offering broad surveys of American visual culture, she teaches courses that e xpand out from her inquiry, including seminars that e xplore representation of American Indians, art and politics, and art and the e nvironment. Her contempo publication, A Foreign Mixture: The Art and Politics of Painting Indians (2015) received the Historical Gild of New Mexico'due south E merson Twitchell Accolade, Meaning Contribution to the Field of History in 2016. A graduate of Colorado College (1997), Dr. Scott e arned an MA from George Washington Academy (2001) and a Ph.D from Rutgers University (2008). Supported by the Andrew W. Mellon Foundation.
Context equally Continuum
A lecture by Adam Yarinsky, Architecture Research Office
Midweek, October 5, Slocum Commons, 7:00 pm
Scott Johnson at the University of Colorado, Boulder
Mysterium Tremendum: collecting curiosity
A collaborative installation by Matt Barton and Scott Johnson
August 9-December 17, 2016
Mysterium Tremendum: collecting marvel is inspired by the arrival of Shakespeare'due south Commencement Folio at CU-Bedrock. The installation celebrates the important roles marvel and wonder play in the pursuit of knowledge. Mysterium Tremendum presents a "cabinet of curiosities" that brings together materials from libraries, special collections, departments and enquiry centers at CU. Amid the highlights on view are materials gathered past the artists from collections about and far alongside objects and implements that inspire the piece of work of kinesthesia. Opening Reception September ane, 5:00-7:00 pm
Heather Oelklaus and Emma Powell
Middle Forwards: Open Theme
Center for Fine Art Photography, Ft. Collins
September 2 to October 1, 2016
Heather and Emma have been called to participate in the 7th annual juried exhibition at the Center for Art Photography in Ft. Collins, Colorado. The jurors this year were Aline Smithson & Hamidah Glasgow. The reception will be held Friday, September nine, 5:30-9:00 pm.
Recent graduate Heidi Flores ('xvi) and CC professor Emma Powell featured in
Verge: shaping the photograph
John Sommers Gallery at the University of New Mexico, Albuquerque
June half dozen - June 18, 2016, 9am - 4pm Monday through Friday
Verge: shaping the photograph is an exhibition of works exploring what the photograph is and how it behaves.
Closing reception June eighteen, 5-7pm
Featuring works by: Lea Anderson, Katelyn Bladel, Seiya Aleksandr Bowen, Joshua Willis, David Campbell, Jane Lindsay, Sallie Scheufler, Jazmyn Crosby, Ed Brandt, Heidi K. Flores, Marisa Gomez, Richard Perce, Kim Arthun, Emma Powell, Kristen Roles, Teena Lee Ryan, and Korie Elizabeth Tatum
Student Morgan Bak selected for public art installation in Colorado Springs
Senior Art major Morgan Bak is one of six artists to be invited to participate in the second phase of INTERSECTION, a public art program that transforms traffic bespeak boxes into works of art. Morgan's piece volition be installed in early summer.
Pupil Tinka Avramov presents her enquiry on the Triadic Ballet at the Denver Art Museum
Professor Gale Murray and Tinka Avramov at the Front Range Student Symposium in Denver
On Sabbatum, April 30, Fine art History major Tinka Avramov represented Colorado College at the annual Front Range Educatee Art History Symposium at the Denver Art Museum. Tinka's presentation, "The Triadic Ballet: An Embodiement of Bauhaus Principles," was based on her Senior thesis project, which analyzed Oskar Schlemmer's early 20th century theatrical performance. Tinka was i of ten undergraduate and graduate students who shared their enquiry at the day-long symposium.
Abstruse Materialism
An Exhibition past Lila Pickus ('13)
May 2-6, 4:00-6:00 pm, 802 N. Nevada
Lila Pickus, 9th Semester Pattern Fellow and CC Art Studio alumna, will showcase her print piece of work from the semester in a week-long exhibition. The opening reception is May 2, iv:00-half-dozen:00 pm.
Textiles as Magic Charms in Late Antiquity
Jennifer Ball ('91)
Midweek, April 27 at 4:00 pm in Packard Hall, Room 21
Professor Jennifer Ball, fine art history major from the Colorado College class of 1991 will speak on Textiles as Magic Charms in Late Artifact. Many fabric fragments and sometimes entire garments from the Late Roman/Early on Byzantine/Islamic period have been preserved in the dry out climate of Egypt. These household textiles and items of dress show a continuity of beliefs outside and alongside the changing religious mural of Egypt from the Roman pagan religions to Christianity, Judaism, and afterwards, Islam.
After graduating from Colorado Higher, Jennifer Brawl worked in the textile department of the Metropolitan Museum of Art and received a Ph.D. in fine art history from the Institute of Fine Arts of New York University. She has taught hither at CC and is now Acquaintance Professor of Byzantine and Islamic Art at Brooklyn Higher and the Graduate Center, City Academy of New York. Her book Byzantine Dress Representations of Secular Wearing apparel in Eighth- to Twelfth-Century Painting is an important work on the significance of costume in communicating identity and status in Byzantium. Her other studies focus on monastic costume and liturgical textiles. She has contributed to catalogs of major exhibitions at the Metropolitan Museum of Art and the current exhibition, designing identity: The Power of Textiles in Late Artifact, at the Found for the Report of the Ancient World in New York where she wrote on the magical significance of decoration on garments.
Senior Thesis Exhibition
Annual Art Department Group Show
April 21-May ten, Coburn Gallery
The Artist'due south Playbook
A Conversation about Non-linear Careers with Carolyn Chen
Mon, April 25 at 4:00pm in Worner 213
Carolyn Chen has made music for supermarket, sabotage district, and the dark. Her work reconfigures the everyday to retune habits of our ears using sound, text, light, epitome, and movement. Her piece of work has been presented at festivals and exhibitions in 19 countries. Chen earned a PhD in music from UC San Diego, and an MA in Modernistic Thought and Literature and BA in music from Stanford University, with an honors thesis on free improvisation and radical politics.
Loftier Fiber: Student and Alumnae Fiber Arts Show
Apr 21-May 16 in the Arts and Crafts Hallway in Worner
Opening Thursday, April 21, 4:00-5:30pm
Common cold War in the Tropics: The Politics of Pattern in Fria, Guinea, 1956-65
A lecture with Yetunde Olaiya
Friday, February nineteen at 4:00 pm in Packard Hall, Room 23
Contemporary Canadian Print Media and Impress Installation Work
A talk past Catherine Wild, Visiting Artist at Colorado College
Monday, January 25 at ii:00 pm in Packard Hall, Room 21
Catherine Wild, Linked Target, relief and intaglio
Visiting artist Catherine Wild will spend two weeks in residence in the print shop during block five. In week two of the block, she volition carry individual critiques with senior studio students. She will besides be creating her ain work in the store printing lithographs and working with CC alumnus Michael Arnsteen.
Catherine is on sabbatical this year after serving as the Dean of Fine Arts at Concordia University in Montreal. She will return to teaching in the fall as a professor in impress. Her studio work includes abstract prints in relief, intaglio and lithography.
Jean Gumpper: New Works on the Mezzanine
William Havu Gallery, Denver, Colorado
January 15 - February 27, 2016
Student Ellen Sarah Casey receives a Design Excellence Award
Ellen with DIS Faculty Marie-Louise Holst Ellen has been recognized by DIS Written report Abroad in Scandinavia with a Design Excellence Accolade for her outstanding work in Architecture Design Foundations studio. The accolade is given to a pupil who has distinguished himself/herself through diligence, delivery, academic functioning, and ideally a student who contributes to a positive, collaborative learning environment in class.
During the semester Ellen and her classmates have been working on 2 assignments under the guidance of DIS Faculty Marie-Louise Holst. The commencement 1 is titled "Nordvest Object Gallery - Urban Infill in and Urban Context", and the 2nd is titled: "Cooking School in Hans Tavsens Park".
Local Lessons: Piety and Pollution in a Friulian Altarpiece
A Lecture with Visiting Art History Professor Jason Di Resta
Th, December 3 at 4:00pm Packard Room 23
At the beginning of the sixteenth century, Venetian political subjugation of northeast Italia was complemented with an invasive strategy of artistic hegemony. This lecture considers an outstanding example of artistic resistance to Venetian control past an artist whose oppositional tactics led him to become Titian's greatest rival.
The Gilt Touch Exhibition and Reception: a ane night showcase of workshop objects
Friday October 2, from 4 - 7pm
802 N. Nevada Street, Colorado Springs, CO
Acclaimed Florentine artist Patrizio Travagli uses the aboriginal technique of gilding to transform the value and appeal of personal objects. Fascinated by the interaction of light and metal leaf, Travagli draws upon the act of memorializing inherent in the gilding procedure and its finished production. In this workshop, participants will gild an everyday object stripping it of its utility and investing information technology with meaning, retention, and artful value.
" The act of gilding is an act of retentivity. Covering the surface of an object with the noble metal exalts information technology. What is light and shadow becomes function of the environs through an anamorphic baloney. In the human action of covering the object, you are as well revealing it. Similar a mirror it becomes a reflection, your own personal reflection.The aim of the project is to see and feel how people respond to a shift in their perspective through the employ of gold in gild.ing. During the workshop, participants volition be asked to select and transform an object that means something to them. Something they love and information technology is part of their life.
The gilding volition be made, for reasons of cost of fabric and processing difficulties, with leaves of brass. The object'due south condition will be elevated by the metallic layer, but at the aforementioned time it will become useless. In one case gilded, the objects will be exhibited together equally if they were in a warehouse (a place full of memories), to institute a dialogue with each other and with the visitors of the exhibition. At the cease of the bear witness, each workshop participant recovers possession of the object, so it tin can go back to its own dimension of everyday life - with the added value of gilt." - Patrizio Travagli
Presented by the Colorado Higher Art Department and sponsored by the Mellon Foundation Arts in the Liberal Arts: Artist-in-Residence Grant
The Golden Touch: Gilding Workshops with Patrizio Travagli
Daily sessions: September 28 - Oct 1, from three - 6pm
802 N. Nevada Street, Colorado Springs, CO
Gratuitous and open up to the public
Pre-registration required for each session
For more information and to register, contact Blair Eastward. Huff: blair.e.huff@ColoradoCollege.edu
Jeanne Steiner and Jean Gumpper
Introspective: Print and Textile
September 19 - November 8, 2015
Sangre de Cristo Arts and Briefing Center
HIDCOTE and Lawrence Johnston: 
The American Who Transformed 20 th-century English Garden Pattern
Talk past Ethne Clarke, Garden Historian
May 4, 2015 at iv:00pm
Cornerstone Screening Room
Sponsored by the Art Department's Harold E. Berg Endowment
Ethne Clarke, an internationally known garden historian, author of Hidcote: The Making of a Garden volition speak at Colorado Higher on Monday afternoon, May 4, at 4:00 p.m. in the Screening Room in the Cornerstone Art Heart. The famous early-20th-century gardens at Hidcote in the Cotswolds, recognized as the epitome of the classic English language land garden fashion, were actually designed by an American, Lawrence Johnston. He was one of the then-chosen "Henry James Americans," who lived their lives betwixt Europe and the The states. Hidcote was the commencement garden to exist taken into the custody of England's National Trust. Clarke has researched not only the garden, but also Johnston's life, the social and intellectual milieu of his era, and the contemporary influences on his garden-making.
Ethne Clarke is a professional horticulturist and the writer of 15 books on landscape history and gardening including The Art of the Kitchen Garden, Making a Herb Garden and with Rosemary Verey, The Scented Garden. Her biography of Cecil Pinsent, Infintiy of Graces, is the first biography of the English architect who created many of the best-loved villas and gardens in Tuscany, such as La Foce (for Iris Origo) and I Tatti (for Bernard Berenson). Formerly the editor-in-chief of Organic Gardening and garden editor for Traditional Home, Clarke has likewise contributed to The American Gardener, Horticulture, Pacific Horticulture, Garden Design, Gardens Illustrated, Hortus, Homes and Gardens, Country Life, and RHS The Garden. Resident in England for 30 years, she was the recipient of the 1987 Angel Literary Accolade for Art of the Kitchen Garden. Clarke has a Master of Philosophy in Art and Design from De Montfort Academy, Leicester, England.
Heather Oelklaus, Print Workshop Supervisor, is having a solo bear witness at
the Sangre De Cristo Arts and Conference Center! 
Emma Powell,
Assistant Professor of Photography
has been selected to participate in the upcoming show
" Photograph-Synthesis."
The opening reception will be on Fri, March vi thursday from five:30-8:00pm at Republic Plaza (370 17 thursday St. Downtown Denver, CO).
Her work volition be upward until May five thursday.
Extending the Line : Jean Gumpper and Jeanne Steiner
Impress & Fabric
Tuesday, Jan 27, 4:30 - 6pm
Coburn Gallery
Opening Reception and Gallery Talk
Presenting contempo piece of work by Jean Gumpper (Visiting Professor and Artist in Residence at Colorado College) and Jeanne Steiner (Weaving Instructor and Arts and crafts Program Director at Colorado College).The artists explore line in two and three dimensions through prints and cobweb arts.
Extending the Line is office of Colorado College's Cornerstone Arts Week (Jan 26-30) a fifteen-year-old result featuring a week of thematically related art, performances, lectures, and discussions. This year's theme, What's My Line? explores connections between theater, dance, mathematics, and visual art.
Click here for the outcome's complete lineup
Emma Powell: Juggling Butterflies November 24 - Dec 17, 2014
Mon, November 24, iv:30pm:
Opening Reception and Artist Talk
Emma Powell (Banana Professor of Art) introduces her photography to Colorado College with this one-person exhibition. Fascinated past the history of photography, Powell incorporates historic processes and devices into her contemporary practice. By projects have included archaic technologies such as moisture plate collodion process and old Kodak cameras. Her contempo work navigates the fine line between reality and fantasy, using cocky-portraiture to clear personal narratives. Using a cyanotype process, Powell creates a properties in which archetypal universal symbols combine and collide.
Airtight November 26 -- thirty for Thanksgiving Intermission
Reopening for regular hours December 1 -- 17
Scott Johnson'south Mute Earth
at the Museum of Outdoor Arts
MUTE EARTH volition consist of original works created by Scott Johnson specifically for the MOA galleries and will include site-specific installations and large-calibration objects every bit well as a series of photographic pieces. Johnson will use the entirety of the MOA main exhibition galleries, multimedia galleries and atrium for this unique exhibition.
Scott Johnson is well known for his work with a wide range of materials and for his thought-provoking sculptural installations. MUTE Globe will explore the circuitous relationship between modes of representation and perception with regard to mural and architectural infinite. The installations presented as office of this exhibition are the result of Johnson's literary research, experimentation with new materials and direct ascertainment of natural phenomena and cultural artifacts, places, and structures. A Colorado native, Johnson incorporated regional phenomena and elements of the Colorado landscape into his conceptual threads for the works created for this exhibition.
Hear Scott Johnson'south Interview on Powered past Art with host Michael Keen for the Museum of Outdoor Arts
Cheque out the Museum of Outdoor Arts Facebook Folio
Museum of Outdoor Arts grand Englewood Pkwy, Englewood, Colorado 80110
Rembrandt: Across the Brush
October 27 -- December fourteen, 2014
Closed Nov 19 -- 23 and 26 -- xxx
Thought Space
Edith Kinney Gaylord Cornerstone Arts Center
825 N. Cascade Artery
Regular Hours: Monday -- Friday 1 -- 6pm; Saturday i -- 5 pm
Opening Reception and IDEA Cabaret: Readings of Rembrandt
Thursday, Oct 30 at 4:30 PM
IDEA Cabaret is an ongoing series of lively conversations near art as a means of making the works accessible and meaningful.
The Idea Cabaret Readings of Rembrandt features a conversation in the gallery between Colorado College Professors Rebecca Tucker (Art History) and Bryant (Tip) Ragan (History).The reception and IDEA Cabaret presentation are free and open to the public.
Heather Oelklaus: One of a Kind
July 29 - Nov ix, 2014
at the Colorado Springs Fine Arts Heart
Heather Oelklaus, Heal (item), 2014, Chemigram, 50 ten 51 inches, edition of one, Courtesy of the artist
Colorado Springs-based artist Heather Oelklaus explores her subjects through historic photographic processes. Although Oelklaus employs vintage techniques, many of which date back to the ancestry of photography itself, her compositions frequently speak the language of abstract 
painting or move pictures. Just it is Oelklaus'south combination of these extremely hard technical processes with contemporary subjects and objects that is truly
ONE OF A KIND
The title of the evidence suggests the singular nature of many of Oelklaus'southward images. In an era in which most of usa understand photography every bit infinitely reproducible, her photographic works emerge from intensive processes that consequence in a single original image.
Andrew Ramiro Tirado: Open 
June 21 - September 28, 2014 at the Colorado Springs Fine Arts Center
For Open, Tirado has made a serial of extraordinary large drawings that make full the FAC's magnificent, soaring El Pomar Gallery. The subject is what Tirado describes as one of our "principal tools" for connectedness and disconnection - the human hand. These exquisitely drafted images represent the hand in all its complex physicality, elegance, ability, vulnerability, and expression. But these drawings are simply the outset of an exhibition that unfolds over fourth dimension - the artist's procedure will exist "open up" and visible to viewers equally Tirado creates a new, large-scale sculpture in the gallery throughout the show'south duration. This is an experience that visitors will want to witness again and once more.
Andy was also the Superlative Prize Winner in "Art on the Streets" in Colorado Springs.
Andy Tirado in Colorado College News
Jean Gumpper Recognized in the Colorado Springs Business Journal
For "depth" and "community presence," among other qualities of her piece of work, Jean Gumpper, Visiting Professor in the Colorado College Art Section, was recently named among the all-time artists in the Pikes Pinnacle Region.
Read John Hazlehurst's article in the Business Journal
Artists/Creative person Teams Selected for 16th Annual Fine art on the Streets
2014-2015 exhibit will characteristic 11 artists including Colorado Springs locals Andy Tirado and Sandy Friedman
Colorado Springs, CO - Downtown Colorado Springs and Community Ventures are pleased to announce the option of artists for the 2014-2015 Art on the Streets juried sculpture exhibition. Now in its 16th year, Fine art on the Streets celebrates the power of art in public places, while turning the streets of downtown Colorado Springs into a yearlong outdoor sculpture gallery.
A national call for artists attracted proposals from artists in 4 countries, 21 states and xvi Colorado cities. Artists were selected through a jury process in which artistic quality served as the main criteria. This twelvemonth's jury included Blake Milteer, Museum Director and Primary Curator for the Colorado Springs Fine Arts Center; local architect Michael Collins, and laurels-winning visual artist Jimmy Descant. Selected artists each receive a $1,000 honorarium. In addition, artists are eligible for a $10,000 Juror Accolade and a $1,000 People's Option Award.
The 2014-2015 showroom volition be on brandish June 2014 through May 2015 throughout Downtown Colorado Springs. The xi artists selected for the exhibit are:
Dee Briggs, Pittsburgh, PA
Timothy D. Cassidy, New York Mills, MN
Steven Durow, Fruitland, Medico
Atomic Elroy, Petaluma, CA
Sandy Friedman, Colorado Springs, CO
Steven Huffman, Ottumwa, IA
Suzanne Kane, Las Cruces, NM
James Alan Murray, Southward Portland, ME
Michael Shewmaker, Hilo, Howdy
Andrew Tirado, Colorado Springs, CO
Adina Ana Vomisescu and Juliana Morar, Toronto, Canada
Art on the Streets is a program of Downtown Colorado Springs, through Community Ventures, Inc. The program is supported entirely by private contributions, including founding sponsor U.S. Depository financial institution, with boosted support from Colorado Creative Industries, Boettcher Foundation, and many other corporate and private donors. All of the artwork in the exhibit is for sale, and purchase inquiries are welcome.
Rhythm Nations: Transnational Hip Hop in the Gallery, in the Street, and on the Stage
Opening reception for exhibition and Panel Discussion with exhibition artists and CC faculty. Includes performance past students from From Fringe to Spotlight, taught by professor Idris Goodwin.
From its roots inside the urban American experience of the 1960-70s, contemporary hip-hop culture has evolved into an expressive language that transcends cultural and national boundaries. Formerly subversive modes of expression, such equally graffiti, rap, appropriation, and breakdancing have now become flexible strategies for personal and political communication that spans all racial, national, and economic groups. From March 24 - May 8 2014 Colorado College volition explore the ways in which the hip hop strategies of remix, mash-up, cribbing, and protest allow for the creation of new cultural hybrids within the shifting terrains of the mainstream. The projection will include a gallery exhibition, public art projects, lectures, performances, films, and discussions.
The exhibition component of the project will focus on 3 contemporary artists Ruben Aguirre iROZEALb, and Jaque Fragua. The artists employ strategies fatigued from street art practices and hip-hop civilization inside the context of fine fine art. The exhibition will uncover the tensions created when graffiti motifs are removed from lived, public spaces and realized into ii-and three-dimensional forms. Themes addressed include: an examination the relationship betwixt the self-definition inherent in the cosmos street fine art and the drive toward individual expression of Abstract Expressionism; the power of poetic insurrection inside public spaces; and the creation of hybrid identities through cultural appropriations.
OPENING RECEPTION
Thursday, March 27, 4:thirty - 6:30pm
IDEA Space in the Edith Kinney Gaylord Cornerstone Arts Heart
Protest!
As part of the state-broad marking of the 100th Anniversary of the Ludlow Massacre - an event which sparked the modernistic labor motility - GOCA has invited 6 artists who accost the concept of protest through their varied creative practices.
Bradley Flora | LaToya Ruby Frazier | Scott Johnson | Lane Hall & Lisa Moline | Dareece Walker
Reception: Fri, Jan. 31, 2014, 5 - 9 pm at GOCA 1420 (The campus gallery at 1420 Austin Bluffs Parkway - parking is free afterwards 4pm) Centennial Hall Room, 201.
Creative person Talks @ v pm | Functioning @ 7 pm
Showroom Dates | January 31 - March 22, 2014
Historian Howard Zinn declared Colorado's historic Ludlow Massacre as "the culminating deed of perhaps the well-nigh violent struggle between corporate power and laboring men in American history". As part of the state-wide marker of the 100th Anniversary of the Ludlow Massacre - an event which sparked the modern labor motion - GOCA has invited 6 artists who address the concept of protest through their varied artistic practices. Hailing from regional and national locales and contributing photography, mixed-media, video and functioning works, the artists are, through their works, expanding upon an outcome that resonates heavily today in our cultural consciousness.
A multidisciplinary performance will accept place in the gallery on Friday, January 31, at seven p.m. titled " Resistance and Rebellion: Remember the Past to Carve the Hereafter" featuring Ensemble Height Frequency, the Ormao Trip the light fantastic toe Company, Psychoangelo, and vocalizer Tim Eriksen performing works associated with acts of social and political resistance, rebellion and oppression.
Huge Easily: Coburn Exhibit by Andy Tirado 
Andy Tirado, the 3D arts supervisor for the Colorado College art section, has sculptured a series of massive easily using a very advisable CC material - reclaimed redwood from the deck outside the studios at Packard Hall, which houses the art section.
Tirado provides tech support for the art department, supervises the sculpture store, and teaches a leap woodworking adjunct class. He as well will be teaching sculpture at the Anderson Ranch in Snowmass this summer.
The iv sculptures, all of which depict right hands (Tirado is left-handed; he uses his right paw as a model) are enormous - one is 13 feet long and weighs more than 300 pounds - and accept up about all the space in Coburn Gallery, where they have been on exhibit. Yet, the huge hands, constructed from redwood, alder, and steel, all materials Tirado scrounged for, will soon be moved to brand way for a new exhibit.
Bank check out the full article by Leslie Weddell at the link below:
Huge Hands
Devotional Cultures: Castilian Colonial Fine art in the Southwest
Opening Reception and Gallery Talk
Midweek, January 22, 4:30pm at IDEA Space
by Rebecca Tucker, Exhibition Co-Curator,
Jessica Hunter-Larsen, Curator of the Idea plan,
and Michael Howell Registrar and Collections Manager
at the Colorado Springs Fine Arts Center
Devotional Cultures traces European Cosmic imagery and ritual practices as they took root and evolved in Latin America, Central America, and the American Southwest. Featuring masterworks from the collection of the Colorado Springs Fine Fine art Center, the exhibition demonstrates that, rather than existing as copies of European fine art, Spanish Colonial artworks reveal layers of global influences and responses to those influences over time, resulting in a distinctive style.
Curated from the collection of the Colorado Springs Fine Arts Middle by Michael Chocolate-brown, Inquiry Associate, Denver Fine art Museum New World Section and Rebecca Tucker, Associate Professor of Art History.
Devotional Cultures: Spanish Colonial Art in the Southwest is made possible by the generous contributions of the Sheffer Fund for Roman Catholic Studies, the Stillman Fund for Exhibitions, the Role of the President, the Hulbert Heart for Southwest Studies, and the Colorado College Cultural Attractions Fund.
Devotional Cultures
Carl Reed'due south work showcased. The Denver Botanic Gardens volition be highlighting the creative work of twelve Colorado sculptors in an outdoor exhibit entitled "Catalyst: Colorado Sculpture."
Opening May 4 at 9 am and running through January 12, 2014, the exhibition showcases the work of artists Emmett Culligan, Kim Dickey, Linda Fleming, Nancy Lovendahl, Terry Maker, Robert Mangold, Patrick Marold, Andy Miller, Pard Morrison, Carl Reed, Yoshitomo Saito, and James Surls, in cooperation with Goodwin Fine art, Robischon Gallery, and the William Havu Gallery. Supporting the exhibition are UMB Banking concern, Colorado Creative Industries, and the Scientific & Cultural Facilities District (SCFD).
Today we regard the work of participating sculptor Carl Reed, Professor of Fine art, Emeritus at the Colorado College, who has just completed a sculpture titled Water Ring with Outliers , consisting of three split elements created and placed specifically for a site in the gardens.
cooneythujered1941.blogspot.com
Source: https://www.coloradocollege.edu/academics/dept/art/newsevents/
0 Response to "Jean Goldstein Department of Art and Art History Cuboulder"
Post a Comment